Will Wooten Art
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Must...push...forward

7/19/2012

1 Comment

 
Well, I've been neglecting my Facebook fan page, this website, my fitness - hell, even my own art and music - and pretty much everything else in between for the last couple of weeks.

After having to say goodbye to a dear friend at the end of June and reflecting about who I am and where I stand in the world, I feel that my creative stream has been dammed up with detritus and have, therefore, been compelled to reconsider my current life circumstances by locating and removing the buildup that has caused this bottleneck. Only then can I begin to break the shit down and clear the way for future ambitions; they sure as hell don't involve working in retail.

It is even more apparent to me that it is time to grind. HARD. I'm over this Limbo phase of my life and am ready to progress into a more meaningful purpose. I need to start selling my art; not merely as a means to make money, but in order to clear the air of the old, stale ideas that have been cluttering my creative stream. By letting go of my old achievements can I make way for new and innovative goals.

I do enjoy seeing my own paintings on the walls of my apartment every day, but what exactly does this achieve for me as an artist? A constant reminder that I am, indeed, an artist? Perhaps it is a subconscious fondling of my own ego? Nope. Not anymore. None can appreciate art when it can be seen by no one.

I am, therefore, slapping some prices on a portion of my work in hopes that some good people might enjoy and want to own a piece or two. They will be appropriately priced on this website and shared over my Facebook art page.

If anyone is interested in whether a particular piece is for sale or to negotiate a price, message me here on the website or email me at: [email protected].

Help me adorn the walls of your home!
:D
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Panacea Process

6/8/2012

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This is, more or less, a short documentation of the developmental process for my skateboard deck piece "Panacea."  I made sure to take pictures as best I could along the way to show the progression of it to completion. I might start doing this for more of my pieces..maybe even some video. 

I really didn't know how to approach this project which, to be honest, was spurred solely by a call-to-artists post I found on craigslist for an all skateboard deck art show at a local coffee shop. I was juggling the potential mediums with which to start working and really had no idea what the hell I was going to do until I started doodling with my Prismacolor pencils.

Without any further delay, here is a glimpse from start to finish:
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I obviously had to have a flat surface to work on, so I disassembled the hardware from the deck and started sanding off the graphics and grinding the nicks down with an orbital sander.  Meanwhile, the trucks, wheels, nuts, and bolts all aspired to a greater calling in life...
..for the sake of my amusement.
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This is my usual method for referencing things like finger placement and muscle structure. There is no body that is better to study than your own..
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This is how the preliminary sketch looked; I used a color that wasn't too bold for the outline and mapped out the overall composition. And, as in the photos above, I used my own wincing face for reference.
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Adding brown tones for definition, shading and volume...
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I started to add Rose to the cheeks and pads in the hands and fingers. I believe there are also touches of yellow, but it's hard to see in this picture.
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Here is where I started working on the octopus and filling in the flesh, both blue and beige. The best thing about using Prismacolor pencils is the ability to blend the colors and push the pigments around when layered.
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The development of the octopus' texture was achieved using small, painstakingly applied circles..
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I wasn't sure how to treat the perimeter of the drawing, so I went ahead and started laying down some graffiti-style arrows and worked my way around, not too heavily, until I got to the top. To ensure that the weight of the border remained on the bottom, I merely shaded in some of the wood grain pattern above the shoulders that seemed to lift up toward the halo.
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The tentacles hanging beneath the shoulders was an interesting way to close in the chest and give the figure a sort of rib cage.
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The finished product!

"Panacea" 2012 Prismacolor on wood.
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Still Floatin'..

5/3/2012

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Sometimes I sit at my easel, gradually adding detail to my 'Floater' painting as conveniently as I can.  Each carefully placed brush stroke is applied with bated breath until the contact between the brush and the wood panel is broken, just to reload the bristles with more paint.  To "finish" this piece has been somewhat of a subcutaneous itch to me.  It is an itch that can be temporarily treated by a short and vigorous scratching session, but is never fully relieved.  The tingle is subdued only to reemerge a short time later and remind me: I've got you under my skin.

The inconsistency has been due to a series of windows I've climbed through over the last few months.  Each window gains access to a robust, bountiful tree on the other side; a tree that bares the fruits of opportunity.  I have picked the fruits that are within reach and have tasted the rich juices of inspiration that flow from the flesh, following a break in the skin from each contiguous bite.  In the meanwhile, I pass by my works-in-progress that sit still in my "studio" (read: crammed into the corner of our tiny apartment living room), the most recent layers of oil paint dried by weeks since applied, yearning for a fresh coat like a neglected houseplant for water.  I shake my head and scold myself for putting them off once again as I walk out the door.

As frustrated as I make myself seem, I am actually thankful for these moments - I recognize them as gifts that the universe has volleyed back in response to my cry for something different; something that could shock some life into drudgery of the day-to-day routine; something that would help me contribute to a cause that falls beyond the walls of the introverted box I've constructed around myself.  It took a lot of footwork to attain it, but I feel grateful to finally have generated some momentum in my life.  Now to knock down these walls...

Not too long ago I felt as though I was just floating through life in a lifesaver, treading water in the middle of the ocean.  My anxieties started to roil as I became concerned with what I was doing with my life and who I am as an individual.  I knew I loved art, so I got my shit together and enrolled in the art program at University.  As intense as the work load was, the experience truly hoisted me from out of the water onto its shoulder and offered me a three-hundred-and-sixty degree view of all the potential that lay beyond what I had only known as the ocean's endless and hopeless horizon.

After I received my degree, I was released from academia and plopped back into the same, placid body of water.  And, for better or for worse, I have been bobbing around for almost a year.  I have, however, worked up a moderate paddle, but still tethered by a part-time job just to make rent and pay bills.  As an artist, I don't prefer it, but in order to get the debtors off of my back by repaying every cent I owe them, it's just the way it is.  I am, however, awake and I am swimming toward something.  There is, literally, an entire world to explore.  I also have a good portion of life left to live in ways that are both inspiring and gratifying.  I don't want to remain in this same body of water any longer.

I am only in the building stages of my artist career, so I am probably far from generating an income necessary to survive solely on my art.  Therefore, I endure four days of absolutely mind-numbing, physical labor each week (I know, I know - cue the "whaaaaabulance").  The hours aren't much, but it's the way I prefer it to be - this four day work week allows me three full days away from my job.  Not only am I able to designate one full day to run errands and do bullshit chores, but the other two days I can spend all day painting or even take an odd job for some extra scratch.  In an attempt to phase out of this and any future reliance on a part-time job (eventually eclipsing them from my life), I have to put in work.  To increase the chances for this to occur, I have tapped into some choice outlets that stir up some waves and break up the monotony.

I don't want to sound ungrateful for my job -I am very fortunate; and I absolutely adore and have the utmost respect for the people I work with - but I've come to the realization that this type of work is not for me anymore and it is the bane of my artistic existence.  I feel that my creative child is being strangled when, for four days, I must neglect the withering plants in my living room studio (paintings, remember?) and force myself to dismiss the fact that I am an artist and I want to make art.  My employment is in retail and can be quite labor-intensive - by the end of each work shift, I am so exhausted and drained of any sort of creative residue that, once I get home, art is the last thing I want to do with my time.  In these moments, my energy reserves deplete and my paddling slows back to a steady tread - but I refuse to go down drowning.

If there are any two things I absolutely lack in both skills and interest, they are sports and business affairs.  Upon learning in school that self-promotion is a key ingredient to becoming a successful artist, I feel particularly daunted.  I enjoy a great deal of alone time - it helps me think and mull things over, so I spend a lot of time in and around my home.  I still have every intention on engaging the public head-on with my art, but it's something I need time to work up to.  And in doing so, I have come to realize that, no matter how unconventional a job may be, the opportunity to make money is all around and it awaits to be sought. 

In order to supplement my own endeavors and further my creative ambitions, I have turned to things like extras work for film and television.  I have also been able to land a few gigs that involve commercial and print work for some regional clients of local agencies.  It's obvious that my particular choices are not everyone's cup of tea, but for me, the work is random enough so that it is damn near impossible to have the same experience twice...and I gets paid.

The rat race has become very dull to me.  These 'puddle' type jobs become stale and end up extremely uninspiring and void of any creative or intellectual challenges to overcome.  The corporate ladder is one that I have no intention on climbing, so this keeps me in a very drab frame of mind while I'm spending hours at a place in which I have no personal investments, other than to receive a paycheck.

I prefer to work toward my own dreams instead of the dreams of someone else.  I enjoy change.  I like everything to be fresh and flowing like a stream.  To make progress, risks must be taken.  The upheaval of comfort heightens the senses and piques the brain's ability to assess a situation with unconventional thinking and strategic execution.  In the end, a particular resolve to a challenge might or might not have worked, but it is the journey by which it is arrived that makes the effort worthwhile.  This is what I love so much about art. 

Some people float.  Others are caught in the current.  I'm swimming to shore.


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1 Comment

A Breath of Life..

3/20/2012

1 Comment

 
I've pulled a couple of canvases from the (upright) stacks that have been lying in wait, unfinished, since my last term at PSU.  Aiming to complete the set, these are a set of four paintings based on the four elements: Fire, Air, Earth, and Water. Only Fire and Air have reemerged with Earth and Water slated to make an appearance by summer.

AIR

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AIR was originally a sketch I had made in my notebook while working at US Bank:
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FIRE

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I've only begun 'mapping' FIRE by setting the composition of the anatomy.
1 Comment

The Greeciest Game..

2/8/2012

4 Comments

 
At the beginning of 2011, I was approached by a friend of mine who had proposed to me a project for which he would need some illustrations to supplement a card game that he had under development, à la Magic the Gathering and Dominion.  I don't play these types of games myself, but two of my younger brothers used to collect and play with Magic cards and I have definitely spent time poring over some of the amazing artist renditions of goblins, golems and other creatures that have appeared on the various cards throughout the years of the game's production.

This card game, however, is based on Greek mythology and the illustrations are to be executed in whichever medium I see fit.  So far, I've been entertaining various ideas with some proper concept art that has spread over and throughout my sketchbook.  I absolutely love this era of Greek history and am having one hell of a good time researching and finding out more and more about each creature and deity.

Anyway, I just wanted to toss some scans of my sketches up for view.  I converted them to grayscale in order to overpower the natural tones of the paper and I also tweaked the contrast a bit to get rid of a lot of the smudging as well as emphasize the pencil lines.  I believe that I will execute the final illustrations in watercolor...I'm not too positive if that's the dedicated road I'm willing to take as of yet, but I'll know within the first and second attempts whether I should try another route. 

As always, I welcome any questions or comments on any of these.  Actually, I would be absolutely thrilled to get some feedback!  Feel free to drop some comments below!
4 Comments

Old news...

1/25/2012

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...but here are just a few photos from a holiday art show I participated in back in December at The Gallery Zero.

Oil paintings, from left to right, are:
Portrait No. 3; Chromophobe; Outer Orbit
Thanks to @Randy at the GZ for puttin' me on!
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To Be, Or Not To Be...

1/8/2012

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I have been having a bit of a personal tussle over the last few months on how I should carry myself as an artist - both in the world of art and on teh interwebz.  Currently, Weebly.com hosts my website (for free) with the option to register my domain name at my leisure.  The only stipulation is that I must purchase an upgrade...fairly reasonable and quite typical. 

I have had my free (albeit limited) website for just over 6 months and after poring over user reviews on which companies are  considered top candidates for website hosting on a budget, Weebly has been, by far, the easiest and most user-friendly website with which to work.

It has come time that bite the bullet and pay for Weebly's services, so I'd really like to solidify a website URL that is easy to remember and kind of encompasses the essence of my style.  I have elected two potential titles, one of which I will use to attribute the umbrella under which it all lies.  As well, it will be scrawled over the fronts of some business cards I'm 'bout to order.  Stoked!

Will Wooten Art is pretty straight forward and, as I'm told, easy to remember - most likely because of the "Woot" portion of my name (no, I am NOT considering "Woot-Woot Art!" as a potential candidate..). It really bears no explanation as to how effective this would be to use.  If you know my name, and you know I make art, then you know my website address.  It is also how I sign my work.

August Son Studios is a bit more ambiguous and has been more of a device I've used in the last few years to establish myself on the musical side of the spectrum.  However, I think it has the potential to house my online operations, kind of like a 'dba' title for an e-shop or some such nonsense.  I chose it because it effectively represents who I am as a person; born a son during the final stretch of the laid-back summer in the month of August.  The only drawback is, when the words are all lumped together in lower case, August Son looks like the last name Augustson.  Bummer.

Now, my query: which title do you think is more effective?  Please consider this scenario before voting...and then vote:
If anyone has any other suggestions or comments, please leave 'em!  I'd be more than happy to read them!

~Will
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Floater.

12/14/2011

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Here is a progress shot of the Floater piece I've been working on.  At this point, I'd say it's about half-way finished.  Lookin' good! :D
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Here is a little commercial I was in...

12/2/2011

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This was filmed at the end of October, 2011, and was a complete blast for my very first commercial appearance.  Despite the early call time of 7am at PDX airport, and the 12 hour day of filming, everything went super smooth with minimal to no hang-ups.  

Mrs. Lavenda Memory (the woman playing opposite of myself) was a complete joy to work with, the production company was great and I couldn't have asked for anything more.  Even the makeup and wardrobe crews were great to kick it with.  

It's so cool to see the end product of a complete amalgamation of random shots and takes after they've gone through the process of edits and sequencing into a final, cohesive whole.  I've got to thank my agent at MUSE models for hooking this one up. Thanks, Darren!
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Winter Holiday Art Show at The Gallery Zero

12/1/2011

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Here's just a little notice for all those who chance upon this here little blog o' mine: I will be showing some of my paintings at this rad gallery called The Gallery Zero off of 34th & Belmont in Portland, OR, for its Winter Holiday Show on Saturday, December 3rd (that's two days from now!), 2011.  There will be a helluvalotta artists with some giant, in-your-face paintings; all contained within the gallery's stimulating, signature blood-red walls.  Please stop by, if you see this posting.  You can get more information at the gallery's website: www.thegalleryzero.com.
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